Order before 3pm, estimated next day for the majority of orders. The finish is subtle and smooth, making this a bourbon that's great for sipping! There's a strong aroma of woody oak and caramel prevailing in the nose, while vanilla and fruity flavours come in for the body. This bourbon is double-distilled in enormous copper tanks, helping create a palate that's smooth, refined, and great for sipping. This helps to open the wood's pores, and caramelises some of its sugars, which in turn imparts an added depth of flavour to the drink as it matures. Maker's mark is aged using barrels which have been charred for forty seconds. Just let us know what you'd like that message to be, and our laser-engraving team will take care of the rest! Your bottle will be even more special once you've gotten it engraved with a special message. It's a traditional Kentucky-style bourbon which offers premium-quality flavour, and which is fast rising in popularity on this side of the Atlantic. (London, Published by The British Museum Press for the National Heritage Memorial Fund, 1988).If you're looking for a gift that'll really mark a special occasion, then a personalised bottle of Maker's Mark is certain to fit the bill. Gough (ed.), 'Treasures for the Nation', exh. Repton, 'Observations on the theory and practice of landscape gardening'', 1803, p. He operated an independent firm before joining the Royal Goldsmiths, Rundell, Bridge and Rundell in 1811.įor Repton's own account of his design for the Font, see H. Paul Storr was one of the most outstanding and well known of London goldsmiths. The contrast between chased and burnished surfaces of gold can be noted in the textured draperies of the figures, while the lilies decorating the underside of the bowl are reflected in the plinth below, as if on water. This is the first use in English goldsmith's work of free-standing figural sculpture, and heralds the nineteenth-century tradition of magnificent sculptural presentation plate. These are: Faith (standing with a cross and her hand held over the bowl in the act of benediction), Hope (seated, holding a symbolic anchor) and Charity (seated and shown comforting children). The detachable bowl, with its bold neo-classical decoration, rests on four winged cherub feet, surrounded by three free-standing sculptural figures representing the Cardinal Virtues. It has remained in the family until its acquisition by the British Museum in 1986. It was commissioned by William Bentinck, third duke of Portland (1738-1809) on the occasion of the birth of his first grandson, William Henry Cavendish-Scott-Bentinck (1796-1824), Viscount Woodstock, son of the Marquess of Tichfield, in 1796. It is the only known example in England of a gold font made for private use. Curator's comments This superb gold font was designed by Humphrey Repton (1752-1818) and made by the workshop of Paul Storr (1771-1844).

Maker's mark font type